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In 1988 we formulated Alberta Slip as the first widely available substitute material. It had the same chemistry and very similar firing properties as an average sample of Albany Slip (the material was somewhat variable). Alberta Slip has been proven over many years and is used by people across North America to make many stunning glazes. Other substitutes have appeared from time to time but no others have had the success of this material.
The way in which the substitution was done is documented and educational (from a chemistry, mineralogical, physical and practical viewpoint). You can find more information here and here..
Since it is basically a clay material, it generates a significant amount of gases as it decomposes during melting. However despite this it can produce stunningly smooth and defect-free surfaces (we do not have a good explanation for this).
Since Alberta Slip is a plastic clay it dries hard but has an associated shrinkage. It is thus an ideal base for 'slip glazes' that are used on leather-hard ware and must shrink with the piece (the book The Magic of Fire has a chapter on the principles of making slip glazes).
The plasticity of Alberta Slip is a key advantage it has over traditional Albany Slip. Mixing raw and calcined material in the needed proportion makes it shrinkage-adjustable, it can be made to fit any application need or body. You can calcine Alberta Slip powder by firing the powder in a bisqued container to red heat and holding for 15 minutes (the calcined material has the same chemistry but no drying shrinkage). Used pure, Alberta Slip is ideal for slips that are applied to leather hard ware, however on bisque ware it will peel during drying. Start by using half raw and half calcined Alberta Slip (adjust the ratio as needed to get a compromise between needed hardness and tolerable shrinkage).
Like Albany Slip, Alberta Slip has a low thermal expansion. Thus glazes will tend to be craze free. However, if you use significant lithium carbonate as a flux with this material, be advised that it can shift the already low expansion enough to produce shivering, a hazardous situation for both user and maker alike.
Our flow tests show that Alberta Slip displays the same characteristic blistering as Albany in fast firings, however, it does not melt quite as vigorously (although it does flow as well). In addition, Alberta slip is not as inherently fine and silty as Albany. Alberta slip will tend to gel glaze suspensions a little more than Albany did and it does not deflocculate easily.
Alberta Slip provides one of the best ways to create difficult-to-make black glazes. As little as 2-5% cobalt oxide, copper oxide, black stain, etc. can be employed to make range of excellent glossy blacks. Tom Coleman, for example, uses 30% nepheline syenite and 4.5% cobalt carbonate for a satin cone 10 black. The more fluid the glaze (i.e. more frit) the more the likelihood of crystalline effects. If minimum melter is used gunmetal black glazes can be achieved.
In the past variegated crystal green glazes were made with addition of around 5% rutile (and frit if needed). This works also with Alberta slip.
A classic cone 6 variegated brown recipe used Albany was 10 lithium carbonate, 5% tin, and 85% Albany. This works well with Alberta Slip, however like Albany, it can shiver on some bodies. You might try substituting some boron frit for some of the lithium or use a body of lower thermal expansion.
Drying Shrinkage: 5.0-6.0%
Cone 6: 3.0-4.0 cm Cone 8: 5.0-6.0 cm Cone 10: 7.0-8.0 cm
+100: 0.0-0.1% 100-150: 0.3-0.6 150-200: 1.5-2.5 200-325: 4.5-6.0
CaO 6.5 K2O 3.0 MgO 3.1 Na2O 2.2 TiO2 0.4 Al2O3 13.8 P2O5 0.1 SiO2 56.8 Fe2O3 4.1 FeO 0.7 MnO 0.0 LOI 9.3%