TerraStone
L210
L215
L211
BuffStone
L212
L213
M325
M332
M350
M340
M390
M332G
MSculp
P300
M370
H435
H431
H440
H443
H550
H450
H555
P580
H570
P600
P700
H441G
H440G
Sculpture Clay
Raku Throwing
Wood Fire
3D
A2
Alberta Slip
B Clay
FireRed
Helmer Kaolin
Kaosand
M2
Midstone
Palestone
Plainsman Fireclay
Plasticfire
Ravenscrag Slip
Redstone
Textured Engobe
Tapper 2
Tapper 5
In 1988 we formulated Alberta Slip as the first widely available substitute material. It had the same chemistry and very similar firing properties as an average sample of Albany Slip (the material was somewhat variable). Alberta Slip has been proven over many years and is used by people across North America to make many stunning glazes. Other substitutes have appeared from time to time but no others have had the success of this material.
For more information about Alberta Slip please visit this article at digitalfire.com.
Since it is basically a clay material, it generates a significant amount of gases as it decomposes during melting. However despite this it can produce stunningly smooth and defect-free surfaces (we do not have a good explanation for this).
Since Alberta Slip is a plastic clay it dries hard but has an associated shrinkage. It is thus an ideal base for 'slip glazes' that are used on leather-hard ware and must shrink with the piece.
The plasticity of Alberta Slip is a key advantage it has over traditional Albany Slip. Mixing raw and calcined material in the needed proportion makes it shrinkage-adjustable, it can be made to fit any application need or body. You can calcine Alberta Slip powder by firing the powder in a bisqued container to red heat and holding for 15 minutes (the calcined material has the same chemistry but no drying shrinkage). Used pure, Alberta Slip is ideal for slips that are applied to leather hard ware, however on bisque ware it will peel during drying. Start by using half raw and half calcined Alberta Slip (adjust the ratio as needed to get a compromise between needed hardness and tolerable shrinkage).
Like Albany Slip, Alberta Slip has a low thermal expansion. Thus glazes will tend to be craze free. However, if you use significant lithium carbonate as a flux with this material, be advised that it can shift the already low expansion enough to produce shivering, a hazardous situation for both user and maker alike.
Our flow tests show that Alberta Slip displays the same characteristic blistering as Albany in fast firings, however, it does not melt quite as vigorously (although it does flow as well). In addition, Alberta slip is not as inherently fine and silty as Albany. Alberta slip will tend to gel glaze suspensions a little more than Albany did and it does not deflocculate easily.
Alberta Slip provides one of the best ways to create difficult-to-make black glazes. As little as 2-5% cobalt oxide, copper oxide, black stain, etc. can be employed to make range of excellent glossy blacks. Tom Coleman, for example, uses 30% nepheline syenite and 4.5% cobalt carbonate for a satin cone 10 black. The more fluid the glaze (i.e. more frit) the more the likelihood of crystalline effects. If minimum melter is used gunmetal black glazes can be achieved.
In the past variegated crystal green glazes were made with addition of around 5% rutile (and frit if needed). This works also with Alberta slip.
A classic cone 6 variegated brown recipe used Albany was 10 lithium carbonate, 5% tin, and 85% Albany. This works well with Alberta Slip, however like Albany, it can shiver on some bodies. You might try substituting some boron frit for some of the lithium or use a body of lower thermal expansion.
Note that this section is not intended to give you a guaranteed-to-work glaze. It focusses on the value of this material to make a base glaze and provides some examples of variations, but everyones circumstances are different, you must do testing and likely alteration for your situation. Visit this page for information on variegating, opacifying and coloring glazes: Variegating Glazes.
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![]() Alberta Slip plus 10% frit 3134 fire at cone 10 oxidation. |
Recipe
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![]() A jet a black glossy glaze is as easy as 1% black stain and 99% Alberta Slip (Mason 6666 or 6600). ![]() This is a metallic silky crystal black, it is Alberta Slip plus 5% black stain and 7% iron. ![]() A matte black made from ball milled Alberta Slip with 5% Mason 6666 stain at cone 10R. |
Recipe
Alberta Slip is a great base for black glazes at cone 10 reduction, only 1% black stain is needed to obtain a jet black glossy. Increasing amounts of stain up to 5% move toward a matte black. | ||||||
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![]() Alberta slip becomes a crystal kaki at cone 10R as iron is added, here it has 3%. The effect becomes quite intense by 5%. |
Recipe
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![]() Alberta Slip used as a straight glaze at cone 10R, it looks much like a Tenmoku. ![]() Alberta slip with 1% iron and 5% calcium carbonate (right) compared to G1947U + 11% red iron oxide (left). A little more iron is needed in the Alberta Slip. ![]() G2894 Ravenscrag Tenmoku on the left (with 10% whiting and 10% iron oxide) and Alberta Slip tenmoku (center and right with 5% whiting and 1% and 2% iron added). Reduction porcelain body. ![]() G2894 Ravenscrag Tenmoku on the left (with 10% whiting and 10% iron oxide) and Alberta Slip tenmoku (center and right with 5% whiting and 1% and 2% iron added). Iron reduction body. |
Recipe
Tenmoku glazes normally contant 10%+ iron oxide, they are extremely messy to use and often have poor slurry suspension properties and are difficult to apply evenly. This recipe is totally different, it is much cleaner to use and applies very evenly and suspends well. | ||||||||