These fired bars show the progression of color from cone 4 (bottom) to cone 8 (porosity and fired shrinage are also indicated, cone 8 is over-fired).
M390 fires dark red and is the material of choice for dark burning functional ware. It contains more of our native Redstone material than any other body. It is one of several bodies that we process to 100 mesh particle size and is intended to produce ware with a clean, unblemished glaze surface.
M390 is very similar in composition to M350 and shares the very fine natural smooth character. It is however more plastic. Its darker color tends to limit it to specialized glaze effects. M390 contains 5 different clays, each of which is quite balanced on its own.
M390 has high plasticity and feels smooth (possible very slight tooth). It generates significant slip during throwing if too soft. Care and attention during drying are a must, especially with larger pieces, flat plates, shallow bowls, and sculptural ware. Put the focus is on evenness of drying rather than speed. If sections of a piece dry faster, then either slow these sections down or slow down the entire piece.
M390 is a fairly high iron body and thus burns red to brown as it matures. At cone 3-4 it is a very warm toasty red. The red intensifies as it approaches cone 6 and turns brown by cone 7. We maintain the porosity at about 2.0% at cone 6 to hold onto the red color. We regard it as over-fired at cone 7 (although you might have success) but at cone 8 it will definitely be unstable (tending to bloat and warp). This instability occurs even though it has not reached zero porosity.
Transparent glazes will darken the color of the underlying body. If you fire to cone 7 keep in mind that accidental over firing could take it into the warping or bloating territory of cone 8. If you fire to cone 4, be aware that porosity is too high (and strength likely too low) for practical functional ware. Cone 6 is the best compromise of color, stability and strength.
To get the best defect-free surface please consider using a hold-rise-drop-hold firing schedule. For example, at cone 6 start with the PLC6DS schedule for porcelains. For stonewares, the best results will come with the C6DHSC schedule.
M390 is quite fine and produces a homogeneous fired surface for most glazes. Since it is a dark stoneware, the iron in the clay will bleed into glazes and colors and significantly stain or mute certain colors (compared to porcelain). On the other hand, this effect will enhance the appearance of earthtone and variegated glazes. For functional surfaces consider using our L3954B engobe.
M390 is high in silica and will accept most typical cone 6 glazes without crazing. However, crazing is possible if a glaze is high in sodium (i.e. from soda feldspar or nepheline syenite) or is very low in silica or alumina.For functional ware please check glaze fit using a boiling water:ice water immersion test. Please contact Plainsman if you need help to adjust your glaze.
Caution About Clear Glazes
The GA6-B Alberta Slip base is the preferred liner and transparent. Here is why.
Clear glazes often do not work on dark bodies. The center mug is clear-glazed with G2926B (and is full of bubble clouds). This dark body (M390) is exposed inside and out (the other two mugs have a white engobe inside and midway down the outside). G2926B is an early-melter (starting around cone 02) so it is susceptible to dark-burning bodies that generate more gases of decomposition.
Commercial brush-on glazes offer many colors and surfaces. For functional ware check for glaze fit (vital for quality functional ware). Do not assume food safety of brightly colored glazes in your kiln and with layering without a leach test (e.g. GLLE test). Consider using transparent or white liner glazes for food surfaces.
Mixing your own glazes is practical (with our clear guidelines even beginners can make dipping glazes that go on silky smooth and evenly and dry in seconds). If you already do this using recipes from the web, be careful. High-feldspar glazes (having more than about 35%) often craze. Ones that rely on high melt fluidity to encourage crystallization and variegation (often because of excessive Gerstley Borate, lithium carbonate, zinc or Frit), view these with suspicion for leaching and cutlery marking; test them well (also test the additionless versions). Be suspicious of any glaze not having good documentation.
The best approach is to begin with a good transparent base you understand and that fits. We supply (as products and recipes) G2926B glossy whiteware and G2934 matte frit-fluxed bases. Their documentation describes how to mix, use, fire and adjust them and showcases stain, color and variegator additions to create an infinite number of effects. The former, G2926B, may not have a enough melt fluidity to create non-food-surface reactive visual effects with certain colors and variegators. G3806C fluid-melt recipe is an alternative (but check for crazing). These pages also reference other base glazes that might be of interest.
Crazing: Functional ware must remain craze-free (crazing is unsanitary and drastically reduces ware strength). Because ware is not crazed out of the kiln does not mean it will not do so with time. Do cycles of a boiling water:ice water immersions (BWIW test) on a piece to test glaze fit (by stressing it to bring out any crazing or shivering tendencies).
Many people mix their glazes the traditional way, just adding water until the slurry appears to be the right viscosity for dipping. However, if you want better application properties for one-coat dipping, consider creating a thixotropic slurry. Thixotropic glazes are creamy because they have been thinned and then gelled by the addition of a flocculant. They go on evenly, hang on without dripping and dry quickly. Achieving (and maintaining) this state involves targeting a specific gravity (usually around 1.43) and adding epsom salts (1-2g/1000g of powdered glaze).
If you want to develop and mix your own glazes and engobes consider getting an account at http://insight-live.com. You can organize a methodical development program and adopt better methods of testing (e.g. melt fluidity, thermal stress, slip-fit tests).
This is G3806C clear on M390. There is still some clouding, but it is better than other transparents we have used. An even better solution is Alberta Slip GA6-B amber-clear base. Or, you can add some iron oxide to G2926B, it acts as a fining agent.
M390 has soluble salts that prevent the action of deflocculants so it cannot be slip cast (rather than thin, an M390 slurry will turn into a gel in response to additions of Darvan or sodium silicate). We have developed a casting body that is of similar color and maturity (made from refined materials). We do not produce this as a product, but you can find its recipe and information on mixing it yourself at https://insight-live.com/insight/share.php?z=RQqsks3hDe. It is important to understand the principles of deflocculation, be able to measure specific gravity efficiently and have a good propeller mixer to make good casting slip.
We do not supply a thermal expansion value. The reason is that such numbers often mislead users. First, a body has different thermal expansion characteristics when fired at different temperatures, schedules and atmospheres. Dilatometers are only useful when manufacturers can measure bodies and glazes over time and in the same firing conditions. If a chart is supplied here, please view only as a way to compare one body with another.
Another significant issue is that many customers compare measured thermal expansion numbers with calculated values of glazes in efforts to fits those glazes to a body. This does not work. Calculated values are relative only and have limitations that must be understood. The best way to fit glazes to your clay bodies is by testing, evaluation, adjustment and retesting. For example, if a glaze crazes, adjust its recipe to bring the expansion down (using your account at insight-live), fire a glazed piece and thermal stress it (using an IWCT test, 300F into ice-water). If it still crazes, repeat the process.
If we recommend a base clear or glossy glaze, try calculating the expansion of that as a rough guide to know whether your glazes will fit.
Drying Shrinkage: 6.0-7.0% Dry Strength: n/a Water Content: 19.5-20.5% Drying Factor: c130 Dry Density: n/a
Sieve Analysis (Tyler mesh):
+65: 0.0-0.2% 65-100: 0.5-1.5 100-150: 4.5-7.5 150-200: 7.0-10.0 200-325: 10.0-15.0
Cone 4: 4.5-5.5% Cone 5: 5.0-6.0 Cone 6: 5.5-6.5 Cone 7: 5.5-6.5
Cone 4: 4.0-5.5% Cone 5: 2.5-3.5 Cone 6: 1.5-2.5 Cone 7: 0.5-1.5
BaO 0.3 CaO 0.3 K2O 2.3 MgO 0.7 Na2O 0.1 TiO2 0.7 Al2O3 16.3 P2O5 0.2 SiO2 68.3 Fe2O3 3.6 MnO 0.0 LOI 7.2%
M390 cone 6 teapot with calcium-matte glaze - By Sarah Pike
M390 cone 6 mugs by Sarah Pike
M390 bowl fired at cone 6 with Opal Blue glaze.
M390 horse under construction by Katie Stone at Medalta in 2014.
21 mugs made from 1/2 box of M390, 10 kg (all scrap was reclaimed). These have a weight-to-capacity ratio of 1.05 (each 1 gram of fired body can contain 1.05 grams of water). All are lined with an engobe at leather-hard stage (and clear glazed inside at bisque).
Safety Data SheetClick here for web view.
|Plainsman Clays Ltd.|
702 Wood Street, Medicine Hat, Alberta T1A 1E9
Phone: 403-527-8535 FAX:403-527-7508