The M340 is made from a combination of our A3 and B stoneware materials (as are H550, Buffstone and L212). It is our most popular body (widely used in schools, by hobbyists, and professional potters. Compared to bodies made from refined industrial minerals, M340's diversity of ultimate particle sizes produces a body of much higher dry strength. Its parent materials are also highly consistent, pure, and free of foreign particles. In fact, even without grinding, 95% of a raw sample of M340 will wash through a 200 mesh sieve.
NewsJan 2023: M340 is more vitreous than in the past (porosity can go as low as 0.5% at cone 6). This will be a benefit to most users, producing stronger and more functional ware. However, for some susceptible shapes it can mean more warping during firing. Because our 3B native clay became more vitreous in a mining we recently began using, it was necessary to remove all the talc from the M340 recipe. But even that was not enough to bring it into line with the normal target of 1.5% porosity at cone 6. A recipe adjustment is being tested and more information will be coming soon.
M340 has medium plasticity and feels smooth (having a slight texture).
There is some distribution of particle sizes in the plus 200 mesh range, these provide channels for faster drying than other bodies you may have used. You should have few problems drying smaller pieces, but care and attention are necessary when making larger pieces, especially flat plates, shallow bowls and sculptural ware. Make sure that the focus is on the evenness of drying rather than speed; if sections of a piece dry faster, then either slow these sections down or slow down the drying of the entire piece to effect a more even process.
Fired test bars of M340 (left) and M325. Fired at cone 8, 7, 6, 5 and 4 (top to bottom). M340 has a more pronounced color shift (from straw to grey) between cone 5 and 6 than M325 does. This indicates vitrification is beginning.
M340 fires from a straw color at cone 4 to stone-grey-buff at cone 6 to grey by cone 8. It is best used at cone 6. Verify that firings-by-controller are not over-firing (e.g. cone 7) or pieces could warp.
On longer firings the size and population of fired specks will increase, especially if the kiln is poorly ventilated.
The M340 unglazed mug on the right has 2.5% porosity at cone 6, that means water can eventually pass through (as shown in this 24-hour test on a piece of paper). The left piece is a custom body made from 3D, it has 1% porosity as does not leak. The point: A non-crazing glaze is needed for water tight ware.
To get the best defect-free surface please consider using a drop-and-hold firing schedule, for example the PLC6DS schedule. If crystallization during cooling is not an issue, glazes will give optimum results if slow-cooled also (e.g. the C6DHSC schedule).
M340 is high in silica and will craze fewer glazes than porcelains. However, crazing is possible if a glaze is high in sodium (i.e. from soda feldspar or nepheline syenite) or very low in SiO2 or Al2O3 (little clay or silica). For functional ware check glaze-fit using a boiling water:ice water immersion test.
Since M340 does contain some iron oxide, brightly colored glazes will be muted compared to porcelain. This can be handled by using a well-fitted white engobe, like L3954B, between body and glaze (or opacifying the glaze more).
Commercial brush-on glazes offer many colors and surfaces. For functional ware check for glaze fit (vital for quality functional ware). Do not assume food safety of brightly colored glazes in your kiln and with layering without a leach test (e.g. GLLE test). Consider using a transparent or white liner glaze for food surfaces.
Mixing your own brushing glazes and dipping glazes is practical (especially with our guidelines). Be careful using recipes from the web, common sense recipe limits apply. The best approach is to begin with good transparent bases that do not craze, cutlery mark or leach. Our G2926B glossy and G2934 matte can be purchased as powders or mixed from their recipes. G2934 has significantly lower thermal expansion, it will almost certainly never craze. The two can be mixed, not only to fine-tune matteness, but also thermal expansion. For example, an 15:85 matte:gloss mix gives a silky matte for us. The gloss is dominant so a 50:50 mix is glossy, but with lower thermal expansion than the glossy by itself.
Crazing: Functional ware must remain craze-free (crazing is unsanitary and drastically reduces ware strength). Even though ware may not be crazed out-of-the kiln it may do so with time. Do cycles of a boiling water:ice water immersions (BWIW test) on a piece to test glaze fit (by stressing it to bring out any crazing or shivering tendencies).
Thixotropy: Many people mix their glazes the traditional way, just adding water until the slurry appears to be the right viscosity for dipping. However, if you want better application properties for one-coat dipping, consider creating a thixotropic slurry. Thixotropic glazes are creamy because they have been thinned and then gelled by the addition of a flocculant. They go on evenly, hang on without dripping and dry quickly. Achieving (and maintaining) this state involves targeting a specific gravity (usually around 1.43) and adding epsom salts (1-2g/1000g of powdered glaze).
This body is a great candidate for the engobe process, we recommend the L3954B recipe. It can be colored with stains or whitened with zircopax. It can be applied thickly as an engobe or thinly as a slip.
If you want to develop and mix your own glazes and engobes consider getting an account at insight-live.com. You can organize a methodical development program and adopt better methods of testing (e.g. melt fluidity, thermal stress, slip-fit tests).
M340 has soluble salts that prevent the action of deflocculants (rather than thin out, an M340 slurry will turn into a gel in response to additions of Darvan or sodium silicate). We have developed a casting body that is of similar color and maturity (made from refined materials). We do not produce this as a product, but you can find its recipe and information on mixing it yourself here. It is important to understand the principles of deflocculation, be able to measure specific gravity efficiently and have a good propeller mixer to make good casting slip.
We do not supply thermal expansion values. If a chart is supplied here, please view it only as a way to compare one body with another. Please note that, although you may calculate the thermal expansion of a glaze, this cannot be done for clay bodies since they do not melt. The best way to fit glazes to clay bodies is by testing, evaluation, adjustment and retesting. For example, if a glaze crazes, adjust its recipe to bring the expansion down, fire a glazed piece and thermal stress it (using an IWCT test, 300F into ice-water). If it still crazes, repeat the process.
Drying Shrinkage: 6.0-7.0% Water Content: 20.0-21.5% Drying Factor: C120
Sieve Analysis (Tyler mesh):
+48: 0.0-0.1% 48-65: 0.4-0.8 65-100: 1.5-2.5 100-150: 1.5-2.5 150-200: 4.0-6.0
Cone 4: 3.5-4.5% Cone 5: 1.5-2.5 Cone 6: 0.5-1.5 Cone 7: 0.2-0.7
A very deep and rich blue (with no cobalt). This is M340 fired to cone 6. Black-firing L3954B engobe (having 10% Burnt Umber instead of the normal 10% Zircopax) was applied inside and partway down the outside (at the stiff leather hard stage). The incising was done after the engobe dried enough to be able to handle the piece. The glaze is GA6-C Alberta Slip rutile blue.
Safety Data SheetClick here for web view.
|Plainsman Clays Ltd.|
702 Wood Street, Medicine Hat, Alberta T1A 1E9
Phone: 403-527-8535 FAX:403-527-7508