G2934 Cone 6 Matte Base Glaze G2926B Cone 6 Clear Glossy Base Glaze GA6-A/B Alberta Slip Cone 6 Base GR6-A Ravenscrag Cone 6 Base L3954B Mid Temperature Engobe Zero3 K Cone 04-02 Transparent Glaze G1947U Transparent Base - Cone 10R G2571A MgO Matte Base - Cone 10R GR10-A Ravenscrag Slip as-a-glaze - Cone 10R L3954N/J Cone 10 Engobe Base
G2934 Cone 6 Matte Base Glaze
For Stonewares and Porcelains.
A dolomite silky matte for cone 6. It fires translucent rather than completely transparent (because it is a matte). If you want pure white, add Zircopax (start with 5%, but keep it at a minimum to minimize cutlery marking).
G2934 Cone 6 Matte base (upper left sample) with various stain additions. A porcelain body has been used.
The degree-of-matteness is very dependent on cooling rate. Fast cooling (e.g. free-fall in a lightly-loaded or smaller kiln) produces our desired silky matte surface. Slow cooling (e.g. a heavily loaded kiln) produces a more matte and drier surface (subject to cutlery marking). Do test firings to determine if you can adapt your firing to this recipe or need to adapt this recipe to your firing. If the latter, blend in some glossy G2926B to shine it up to the degree needed.
It is standard practice to fire cone 6 using a hold (or soak) at top temperature schedule (e.g. for 30 minutes) to produce a defect-free glaze. However we recommend the drop-and-hold PLC6DS firing schedule. Both require manual programming of your kiln (because none of the built-in programs do any kind of hold). If you have not manually programmed your kiln, this is a barrier you need to cross to produce more defect-free glaze surfaces.
G2934 matte is an excellent color base and works particularly well with inclusion stains. However, each different color created will likely require fine-tuning the degree of matteness. It is already quite matte, to shine it up slightly by blending in some of our clear glossy base glaze G2926B (click here to see an example).
The body is Plainsman M390. These are commonly used base glazes. The top one is an MgO matte, the next is a calcium matte. They behave very differently to these additions. Notice also that thickly applied titanium dioxide is very different. Tin oxide fires whiter than zircon (e.g. Zircopax).
The recipe of this glaze is not proprietary. We developed it and sell it premixed but you can batch it (or even adjust it) yourself. For technical information and more pictures check the G2934 page at the Digitalfire Reference Library. That page has a link to a more fritted version of the recipe, G2934Y, it has the same chemistry but is definitely a better base for adding stains (it, in turn, has other variations for better fired hardness, higher thermal expansion, etc).
Adding the Stains and Opacifiers: Simply multiply the weight of the amount of powder you want to use and divide by 100. For example, if you have 2000 grams of glaze powder and want to add 6% stain: 2000*6/100=120 grams of stain. Or, 10% zircopax: 2000*10/100=200 grams of zircopax (stain %'s are suggestions, for some colors you may need more, testing is needed). Bright colors and whites will be muted on dark-burning bodies.
If you just want to mix it the traditional way, start with about 85 water to 100 powder (by weight) and mix well using a propeller mixer. Add more water until it is creamy, try it, adjust, etc. To learn more visit the G2934 page at the Digitalfire Reference Library.
If you want better application properties (as a one-coat dipping glaze) we recommend targeting a specific gravity of 1.43-1.44 and gelling the slurry to make it thixotropic (see next paragraph). Water weight: Powder weight x 0.9. Yield is about 1.4 litres per kg of dry powder.
For the best working properties we want the slurry to be thixotropic (our thixotropic glazes gel after motion stops, they "bounce-back" on final stop-motion after stirring, in 2-5 seconds). A flocculant is added to achieve this (e.g. start at 1g of epsom salts per 1000g glaze powder). Be careful when adding the flocculant, it is easy to add too much and get a bucket of jelly (if that happens re-thin it by adding, Darvan by-the-drop). When the slurry is right, you can two-second-dip a piece and on withdrawal it will drain well, only a few drips will fall and on turn-over it will not run back down. It will apply evenly on dense or porous bisque. This "rheological state" can change on storage so be ready to adjust it later. Also recheck the specific gravity from time to time and, if needed, adjust by adding or removing water.
The body is Plainsman M340S. Cone 6. Left to right: G1214Z calcium matte base glaze with 6% titanium dioxide added. GR6-A Ravenscrag base with 10% zircopax (zircon). G2926B glossy transparent base with 10% zircon. G2934Y silky magnesia matte base with 10% zircon.
G2934 with yellow stain (left) vs. a glossy glaze (G2931K with the same yellow stain but fired at cone 03). The matte surface is much easier on the eyes for bright colors (and much more pleasant to the touch).
Right pail: 2 gallons of G2934 base with 10% Cerdec yellow stain. Cost: $135. Jars with the same amount: Almost $300! And you have to paint them on in three coats with drying in between. The one in the pail is a true dipping glaze. You can dip a bisque mug for 2 seconds and it dries immediately in a perfectly even layer (if mixed according to our instructions).
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|Plainsman Clays Ltd.|
702 Wood Street, Medicine Hat, Alberta T1A 1E9
Phone: 403-527-8535 FAX:403-527-7508